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Original Title: | The Paying Guests |
ISBN: | 1594633118 (ISBN13: 9781594633119) |
Edition Language: | English |
Characters: | Frances Wray, Mrs Wray, Lilian Barber, Leonard Barber |
Setting: | London, England,1922(United Kingdom) |
Literary Awards: | Women's Prize for Fiction Nominee (2015), Specsavers National Book Award Nominee for UK Author of the Year (2014), Walter Scott Prize Nominee (2015), Kirkus Prize Nominee for Fiction (Finalist) (2014), Goodreads Choice Award Nominee for Historical Fiction (2014) Europese Literatuurprijs Nominee (2015) |
Sarah Waters
Hardcover | Pages: 564 pages Rating: 3.41 | 67639 Users | 8256 Reviews
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It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.

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Title | : | The Paying Guests |
Author | : | Sarah Waters |
Book Format | : | Hardcover |
Book Edition | : | Deluxe Edition |
Pages | : | Pages: 564 pages |
Published | : | September 16th 2014 by Riverhead Books (first published August 28th 2014) |
Categories | : | Historical. Historical Fiction. Fiction. LGBT. Romance. GLBT. Queer |
Rating About Books The Paying Guests
Ratings: 3.41 From 67639 Users | 8256 ReviewsColumn About Books The Paying Guests
This is my first Sarah Waters and I was surprised to find it darker and creepier than her mainstream popularity led me to expect. I must have been adding my own embellishments as I read others reviews, creating my own reality. In a way, this is what Waters central character, Frances, does in this story about mores in 1920s England and two women who try to find their way to love in secret.Frances belongs to a genteel household which includes only herself and her mother now at the end of WWI whichGeepers, this book.It's just ... oh, it is a boring mess. Fingersmith and Tipping the Velvet and even The Night Watch which I didn't really like all that much at least had things happening that didn't always involve the main characters. The world was moving.Here, the world is stuck: it's just after WWI and no one really seems to know where to go or what to do.And for the first half of the book, nothing happens. A couple moves in to Frances' house. That's it. OK, there's some woman-on-woman
Groosly overwriten and cliched, the most glaring deficiency is a complete lack of firm, sympathetic editing. Key scenes, when they eventually arrive, are marred by repetition, bad use of adjectives and seriously poor punctuation.The main protagonists are completely two dimensional, particularly the ghastly, flaccid Lilian, and there is a passage in serious contention for the Bad Sex prize.The narrative is very obviously a close copy of 'A Pin To See The Peepshow', which is sad given Sarah

3.5 starsFormerly well-off Frances Wray and her mother are having a hard time in post-WWI London. Frances' brothers were lost in the war and her father died leaving a load of debt. To conserve money the Wrays had to let the help go. So 26-year-old Frances has to do all the household chores while her mother - apparently unable or unwilling to do any cooking or cleaning - goes about her personal business. Thus Frances is generally roughly dressed, tired, and sporting the rough, red hands of a
Groosly overwriten and cliched, the most glaring deficiency is a complete lack of firm, sympathetic editing. Key scenes, when they eventually arrive, are marred by repetition, bad use of adjectives and seriously poor punctuation.The main protagonists are completely two dimensional, particularly the ghastly, flaccid Lilian, and there is a passage in serious contention for the Bad Sex prize.The narrative is very obviously a close copy of 'A Pin To See The Peepshow', which is sad given Sarah
This atmospheric novel is set in London, 1922. The country is still reeling after the First World War and, in Camberwell, widowed Mrs Wray and her spinster daughter, Frances, are just two women dealing with the aftermath. The house resounds with ghosts, including that of Mrs Wrays sons, John Arthur and Noel, who died in the war. Frances, meanwhile, is full of resentment; much of it aimed at her dead father, who she felt bullied her brothers into enlisting, before leaving her and her mother
Turn off the phone, unplug the television, call in sick to work. Just do it now, before you open the front cover to The Paying Guests, so you wont have to tear yourself away later on. Its 1922 and life in a dull London suburb has become one of drudgery and tedium for Frances Wray. Single, in her late 20s, and living with her widowed mother, Frances has narrowed her world to a pinpoint of housework and Wednesday trips to the cinema. Her older brothers were killed in the war and her fathers shady
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