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Caedmon's Song Paperback | Pages: 328 pages
Rating: 3.66 | 1355 Users | 114 Reviews

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Title:Caedmon's Song
Author:Peter Robinson
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 328 pages
Published:2004 by Pan MacMillan (first published 1990)
Categories:Mystery. Crime. Fiction. Thriller

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A psychological thriller from the author of the bestselling Inspector Banks series.

On a balmy June night, Kirsten, a young university student, strolls home through a silent, moonlit park. Suddenly her tranquil mood is shattered as she is viciously attacked.
When she awakes in hospital, she has no recollection of that brutal night. But then, slowly and painfully, details reveal themselves - dreams of two figures, one white and one black, hovering over her; wisps of a strange song; the unfamiliar texture of a rough and deadly hand...
In another part of England, Martha Browne arrives in Whitby, posing as an author doing research for a book. But her research is of a particularly macabre variety. Who is she hunting with such deadly determination? And why?

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Original Title: Caedmon's Song
ISBN: 0330426729 (ISBN13: 9780330426725)
Edition Language: English

Rating Appertaining To Books Caedmon's Song
Ratings: 3.66 From 1355 Users | 114 Reviews

Evaluation Appertaining To Books Caedmon's Song
This was a 3-star read in my head all the way through - and then I glanced at my other reviews of Robinson's books and had to bring it down a notch. All fair, it is an 'OK' read, but not much more. And certainly not more by Robinson's own high standards. 'Cædmon's Song' (with the unfortunate and generic US title 'The First Cut') is about a young woman, Kirsten, who narrowly survives a serial killer's first attempt. A number of others are not so lucky - if only Kirsten could remember anything of

EXCERPT: Arriving in a new place always made Martha feel strangely excited, but this time the sensation was even more intense. At first she could only stand rooted to the spot among the revving buses, breathing in the diesel fumes and the salt sea air. She felt as if she were trying the place on for size, and it was a good fit. She took stock of the subtle tremors her arrival caused in the essence of the town. Others might not notice such things, but Martha did. Everyone and everything - from

University student Kirsten is attacked and left for dead whilst leaving a party; a young woman arrives in Whitby on a secret quest. Robinson took a break from his DCI Banks series to write a standalone from the POV of a victim. I wasn't blown away by this, mostly it was predictable, but it was good enough to keep me reading to the end.

EXCERPT: Arriving in a new place always made Martha feel strangely excited, but this time the sensation was even more intense. At first she could only stand rooted to the spot among the revving buses, breathing in the diesel fumes and the salt sea air. She felt as if she were trying the place on for size, and it was a good fit. She took stock of the subtle tremors her arrival caused in the essence of the town. Others might not notice such things, but Martha did. Everyone and everything - from

Most crime novels are basically from the point of view of the police investigating the crime, with a bit from the perpetrator or victim. This novel is different in that its about a crime from the point of view of the victim and how she tries to get her life back together. The police play a very minor role in this book.The book is structured with each chapter alternating between two characters, Kirsten and Martha and then Susan. The thing is they are the same person, Kirsten, at different points

A decent read wouldnt exactly call this a page turner as I found myself predicting a lot of what would happen next in this story. I only read to the end for the sake of finishing the book but by the time I got halfway through I had clearly mapped out how the book would end and it didnt hold my interest as well towards the end. The book is written so that the chapters switch back and forth between two different storylines that will be connected in the end. When one storyline became interesting

According to his afterword, this non-Banks story from Peter Robinson, though published in 2003, was written in the late '80s (it's copyrighted 1990), and he made a conscious choice not to try to update it into the internet age. The 1980s setting is, in fact, one of its selling points for me; I have a curious nostalgia for the days when it was the norm to be unhooked from the rest of the world, and operating purely independently and often in the absence of definite information on any number of