Mention Books In Pursuance Of Michelangelo and the Pope's Ceiling

Original Title: Michelangelo and the Pope's Ceiling
ISBN: 0142003697 (ISBN13: 9780142003695)
Edition Language: English
Characters: Michelangelo, Pope Julius II
Literary Awards: National Book Critics Circle Award Nominee for Criticism (2003)
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Michelangelo and the Pope's Ceiling Paperback | Pages: 373 pages
Rating: 3.75 | 30631 Users | 678 Reviews

Description As Books Michelangelo and the Pope's Ceiling

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo to paint the ceiling of the newly restored Sistine Chapel. With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project.

Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.

Identify Based On Books Michelangelo and the Pope's Ceiling

Title:Michelangelo and the Pope's Ceiling
Author:Ross King
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 373 pages
Published:2003 by Penguin
Categories:History. Art. Nonfiction. Biography. Cultural. Italy. Art History

Rating Based On Books Michelangelo and the Pope's Ceiling
Ratings: 3.75 From 30631 Users | 678 Reviews

Rate Based On Books Michelangelo and the Pope's Ceiling
King does a fine job of pulling together information about Michelangelo himself, his struggles with "il papa terribile" Julius II as well as with his family members and his rivals. There is much detailed information here about the painting of the Sistine Chapel and some can get a bit tedious. But King uses short chapters to good effect in presenting the complex history of Julius II's wars with Louis XII of France and the Duke of Ferrara. Usually I nod off at the mention of a battle. But the

Need to re-shelve and read another time.

Another fine volume of art history from Ross King. This covers most closely Michelangelo's early years in Rome, from 1505 when he got the commission for Pope Julius II's tomb, through 1512, when he finally finished the ceiling of the Sistine Chapel. The notoriously grumpy genius was immortalized twice (at least) by artists working at the Vatican in those years - by himself as the prophet Jeremiah, and by Raphael as the notoriously grumpy genius Heraclitus in his "The Academy of Athens."By the



Russ Kings bestseller describes the painting of the Sistine Chapel under the reign of Pope Julius II, a notorious tyrant of a pope. The book details the technical challenges of the painting of the Sistine Chapel (ranging from paint issues to scaffolding issues to design issues), the life of Michelangelo leading up to the commission, the historical events during the reign of Julius and how they intersect with the chapel painting, and other such details. Overall, I had a hard time getting through

Although balderdash from cover to cover, Ross King's "Pope's Ceiling" is wildly entertaining. I heartily recommend it to anyone planning to visit Rome in the next twelve months. However, muddled the facts may be, the text is clear and easy to follow making the book ideal for reading on a long trans-Atlantic flight. The thing that set my teeth on edge (Jeremiah 31:29) was King's decision on page 203 in a discussion of five medallions of the Sistine Chapel fresco modelled on a recent printing of

I remember myself standing in Sistine Chapel. I was standing there speechless, throwing my head back, absolutely dazzled by what I was experiencing. Later I thought, though, what other people had felt standing there. Did they know the story behind Pope's ceiling in question? Did they understand the narrative of each scene they saw? Did they try to imagine what creating such a masterpiece required? Or were they simply standing there thinking why on Earth THIS is considered to be one of the