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| Original Title: | The Raphael Affair |
| ISBN: | 0425166139 (ISBN13: 9780425166130) |
| Edition Language: | English |
| Series: | Jonathan Argyll #1 |
| Characters: | Jonathan Argyll |
| Setting: | Italy |
Iain Pears
mass_market | Pages: 226 pages Rating: 3.54 | 3036 Users | 248 Reviews
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| Title | : | The Raphael Affair (Jonathan Argyll #1) |
| Author | : | Iain Pears |
| Book Format | : | mass_market |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 226 pages |
| Published | : | November 1st 1998 by Penguin (first published 1990) |
| Categories | : | Mystery. Fiction. Art. Cultural. Italy. Crime. Historical. Historical Fiction |
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English art scholar Jonathan Argyll was amazed to find himself arrested for vagrancy-while searching for a long-lost Raphael in a tiny Roman church. Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.Rating Based On Books The Raphael Affair (Jonathan Argyll #1)
Ratings: 3.54 From 3036 Users | 248 ReviewsCriticize Based On Books The Raphael Affair (Jonathan Argyll #1)
But she was most struck by the reaction from the audience. They were not admiring the delicacy of the brush strokes, the masterly application of shading or the subtleties of the composition, that was certain. They were ogling. Not a usual reaction for connoisseurs. She herself was caught up in the enthusiasm. The picture, both in its history and subject, was extraordinarily romantic. This most beautiful woman, nearly half a millennium old, had been lost for nearly three hundred years. It couldPears is a plums. He writes with enviable wit and aplomb, too. We've read maybe thirty mysteries aloud, including some Sayers and Grimes, Elizabeth George and Donna Leon. This was one of our favorites. Like Donna Leon, Pears captures the flavor of Italian bureaucracy, its diffusion of authoritarian sexism combined with a lacing of incompetence; but Pears adds the delicious factor of comparative incompetence between Italy and the UK. Bottando is a fine invention, a bit like Leon's Brunetti in
Good take on art theft, with a main character who, gasp, makes mistakes! Looking forward to the rest of the series.
I'm mystified by how there could be a lot learned about art from this first book in this series, but there is a flavor of what kind of traveling and people and art institutions are involved in the selling of art and in the scrum of public display by museums. Everything is introduced a bit bubbly and brief. The characters are a little silly. There is a murder and a short life-and-death tussle which feels peculiar given the light touch throughout, but it is serious for only a page or two. English
But she was most struck by the reaction from the audience. They were not admiring the delicacy of the brush strokes, the masterly application of shading or the subtleties of the composition, that was certain. They were ogling. Not a usual reaction for connoisseurs. She herself was caught up in the enthusiasm. The picture, both in its history and subject, was extraordinarily romantic. This most beautiful woman, nearly half a millennium old, had been lost for nearly three hundred years. It could
The first in Pears' "Art History" series. Short, sweet, highly improbable at the ending: I mean, really... who is going to believe the final scene in the museum? But it doesn't matter, duzzit? It's fun, and well written, and it takes place in Rome (mostly), back in the days when Rome was still a decent place to live. Very nostalgic.Just what I needed after reading the monster (but gorgeous), The Count of Monte Cristo.
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