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Dogeaters 
"As sharp and fast as a street boy's razor" (The New York Times Book Review), Dogeaters is an intense fictional portrayal of Manila in the heyday of Marcos, the Philippines' late dictator. In the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth.
My very first time to read a novel by Jessica Hagedorn (born 1949), a Philippine-born American novelist, playwright, poet and multimedia performance artist. I purchased my copy of this book in 2010 but postponed reading this several times because of what a friend said that it is similar to Miguel Syjuco's Ilustrado (2 stars). That this and Syjuco's are both composed of short stories or vignettes with no cohesion because of the absence of unifying theme. That both are trying hard to be seen as
1.5 starsThe rating on this one kept slipping the more I read. I started with, OK, this might be interesting; moved to, This is totally nonsensical, no more; and culminated in: What the fuckety fuck, I mean, WTF??? WHAT? This book in a nutshell: BIG. HOT. MESS. Sizzling MESS!Like this:Also like this: Rather than write a novel, Hagedorn threw together a series of stories. No, scratch that. These aren't stories. They're vignettes, snatches of lives, bits of memories, crumbs of experience. The

Often when reading post-colonial works there is a feeling that alternate realities are being described, dream states and counter-histories which have been suppressed or erased by the official history. Hagedorn performs such an archaeological procedure in her ferocious and volcanic work, Dogeaters, a text which systematically dismantles the ruthlessness and heartlessness of the Marcos regime, as well as indicting the American colonial presence which still lingers in the Philippines in the form of
I remember gasping with excitement the moment our Modern Asian Literature professor, Ms. Jaymee Siao (Hi Ma'am! hehe), told us to read this novel. I finally have an excuse to open this book in the middle of other assigned readings for other subjects. It had been sitting on my shelf (beside another Hagedorn book, "Toxicology") for several months now, and just looking at it bugged me because I have this idea that it would be great, and not being able to read it feels like I'm missing something
I really enjoyed this book but I was left confused by the ending. These are one of those books that I will probably reread again to fully understand it. This story was told by different characters and there point of view of life in Manila and as a Filipino. I did enjoy that aspect of the book but I felt that the main point of the story which was how these characters were all connected somehow after the senator was murdered began when the book was almost over. I blame that on the fact that the
Mostly, I liked this book. Jessica Hagedorn writes a sharp satirical sentence, has a wealth of knowledge of "classic" and "campy" American popular culture, and applies both of these skills naughtily/impactfully. I like that Dogeaters tells the story of an identity- and power-fraught nation (the Philippines) allegorically through the daily struggles of its own identity- and power-fraught inhabitants (cross-dressers, nationalist politicians who buy European fashions, etc.). Some of the characters
Jessica Hagedorn
Paperback | Pages: 272 pages Rating: 3.59 | 2191 Users | 158 Reviews

Be Specific About Books Toward Dogeaters
Original Title: | Dogeaters |
ISBN: | 014014904X (ISBN13: 9780140149043) |
Edition Language: | English |
Literary Awards: | American Book Award (1991), National Book Award Finalist for Fiction (1990) |
Description As Books Dogeaters
In Dogeaters, Jessica Hagedorn has transformed her best-selling novel about the Philippines during the Marcos reign into an equally powerful theatrical piece that is a multilayered, operatic tour de force. As Harold Bloom writes "Hagedorn expresses the conflicts experienced by Asian immigrants caught between cultures...she takes aim at racism in the U.S. and develops in her dramas the themes of displacement and the search for belonging.""As sharp and fast as a street boy's razor" (The New York Times Book Review), Dogeaters is an intense fictional portrayal of Manila in the heyday of Marcos, the Philippines' late dictator. In the center of this maelstrom is Rio, a feisty schoolgirl who will grow up to live in America and look back with longing on the land of her youth.
Specify Appertaining To Books Dogeaters
Title | : | Dogeaters |
Author | : | Jessica Hagedorn |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 272 pages |
Published | : | July 1st 1991 by Penguin Books (first published 1990) |
Categories | : | Fiction. Historical. Historical Fiction. Novels |
Rating Appertaining To Books Dogeaters
Ratings: 3.59 From 2191 Users | 158 ReviewsCriticize Appertaining To Books Dogeaters
Dogeaters is a penetrating analysis of the modern history of the Philippines depicting the harsh realities of a politically corrupt system. It reflects the reality of what the current political figures in society are like and how their actions, beliefs, and decisions affect every person in the country on one level or another. The connections between the characters are complex and the political dynamic of the Philippines is inundated with deception, controversy, scandal, and intrigue. All of theMy very first time to read a novel by Jessica Hagedorn (born 1949), a Philippine-born American novelist, playwright, poet and multimedia performance artist. I purchased my copy of this book in 2010 but postponed reading this several times because of what a friend said that it is similar to Miguel Syjuco's Ilustrado (2 stars). That this and Syjuco's are both composed of short stories or vignettes with no cohesion because of the absence of unifying theme. That both are trying hard to be seen as
1.5 starsThe rating on this one kept slipping the more I read. I started with, OK, this might be interesting; moved to, This is totally nonsensical, no more; and culminated in: What the fuckety fuck, I mean, WTF??? WHAT? This book in a nutshell: BIG. HOT. MESS. Sizzling MESS!Like this:Also like this: Rather than write a novel, Hagedorn threw together a series of stories. No, scratch that. These aren't stories. They're vignettes, snatches of lives, bits of memories, crumbs of experience. The

Often when reading post-colonial works there is a feeling that alternate realities are being described, dream states and counter-histories which have been suppressed or erased by the official history. Hagedorn performs such an archaeological procedure in her ferocious and volcanic work, Dogeaters, a text which systematically dismantles the ruthlessness and heartlessness of the Marcos regime, as well as indicting the American colonial presence which still lingers in the Philippines in the form of
I remember gasping with excitement the moment our Modern Asian Literature professor, Ms. Jaymee Siao (Hi Ma'am! hehe), told us to read this novel. I finally have an excuse to open this book in the middle of other assigned readings for other subjects. It had been sitting on my shelf (beside another Hagedorn book, "Toxicology") for several months now, and just looking at it bugged me because I have this idea that it would be great, and not being able to read it feels like I'm missing something
I really enjoyed this book but I was left confused by the ending. These are one of those books that I will probably reread again to fully understand it. This story was told by different characters and there point of view of life in Manila and as a Filipino. I did enjoy that aspect of the book but I felt that the main point of the story which was how these characters were all connected somehow after the senator was murdered began when the book was almost over. I blame that on the fact that the
Mostly, I liked this book. Jessica Hagedorn writes a sharp satirical sentence, has a wealth of knowledge of "classic" and "campy" American popular culture, and applies both of these skills naughtily/impactfully. I like that Dogeaters tells the story of an identity- and power-fraught nation (the Philippines) allegorically through the daily struggles of its own identity- and power-fraught inhabitants (cross-dressers, nationalist politicians who buy European fashions, etc.). Some of the characters
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